From Self-Censorship to Exposé
The Russia File Elena Susanna Weygandt The Russia File Elena Susanna Weygandt

From Self-Censorship to Exposé

New Drama began about a decade after the fall of Soviet Union. It used the stage to speak directly about social issues, which state-sponsored media in Russia would not cover. One of the movement’s main formal qualities of the movement was its reliance on docudrama.

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Letter from Kyiv
Dispatches Essay Oksana Forostyna Dispatches Essay Oksana Forostyna

Letter from Kyiv

Wartime Kyiv is sometimes criticized for its hedonism… That’s what keeps the country sane… the modest trappings of civilization. We need our flag, and we need a disco-ball. Without either one, the hardships of the last years would make no sense.

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Nobody’s Heroes
The Russia File Maxim Trudolyubov The Russia File Maxim Trudolyubov

Nobody’s Heroes

Russia's closed pavilion at the Venice Biennale — funded by a Ukrainian, designed by a Soviet architect — stands as an accidental monument to a century of ideological reinvention.

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Systemic Strain and the Logic of Escalation
The Russia File Maxim Trudolyubov The Russia File Maxim Trudolyubov

Systemic Strain and the Logic of Escalation

A figure once known as an anti-Navalny attack dog now presents himself as the head of the Russian opposition. Several outlets have circulated a leaked report this week claiming that Putin is in hiding, fearful of a coup. Observers abroad and many within Russia’s pro-war camp are beginning to register growing tensions in Putin’s world. 

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Dagestan’s Divided House: Europe’s Ethnically Most Complex Place
The Russia File Evgeny Romanovskiy The Russia File Evgeny Romanovskiy

Dagestan’s Divided House: Europe’s Ethnically Most Complex Place

Imagine a region where more than thirty distinct ethnic groups share the same administrative borders, speak fourteen mutually unintelligible languages, have coexisted for centuries and yet still struggle to define a common identity. This is Dagestan, a republic on Russia’s southern frontier with Azerbaijan and Georgia, and arguably the most ethnically complex territory in Europe.

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Non-Political-Yet-Political Theater Comes to Washington
The Russia File Blair A. Ruble The Russia File Blair A. Ruble

Non-Political-Yet-Political Theater Comes to Washington

A remarkable moment has dawned on Washington stages, as theater artists and their audiences struggle to blend resistance to a hostile federal administration with an artistic imagination that transcends the political.  Two noteworthy productions – Inherit the Wind at Arena Stage, and The Crucible at the Washington National Opera – elevate political messages embedded in the original works by given them contemporary readings. 

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The Rise of Mr. Nobody
The Russia File Konstantin Shavlovsky The Russia File Konstantin Shavlovsky

The Rise of Mr. Nobody

Pavel Talankin had a routine job filming school activities in a small town 1,600 kilometers east of Moscow. In 2022, he realized he was documenting something that was not routine at all, the spread of pro-war indoctrination among children. That was a story.

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